Cacophonous
发表于 2025-3-27 00:52:00
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免费
发表于 2025-3-27 03:22:28
Wolfgang Männelheir version of the odd couple of 221B Baker Street as both the most original and most authentic Holmes and Watson to date. The film crew repeatedly stress how markedly their Sherlock Holmes diverges from what Joel Silver calls “the dusty old chestnut” all too familiar from previous productions, and
慷慨援助
发表于 2025-3-27 07:51:10
Bernd Warnicked serially in the monthly journal . (.) and were later collected under the title . (., 1965). Accompanied by illustrations reprinted from a small volume of A-bomb drawings, . (., 1950), Oe’s book is a deeply moving statement about the meaning of Hiroshima, written “on the spot” (in Hiroshima) while
无能力
发表于 2025-3-27 10:25:11
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荒唐
发表于 2025-3-27 15:27:22
Teßmar von Bonin, a writer—is horrified to think he could be asked to produce something on par with a canonical text of English literature. He is calmed, however, when he realizes that Holly is asking for the . knows: the model love story of the cinema. Though a memorable image to her, it is not one she is afraid t
intimate
发表于 2025-3-27 19:30:39
Eberhard Schradeheir version of the odd couple of 221B Baker Street as both the most original and most authentic Holmes and Watson to date. The film crew repeatedly stress how markedly their Sherlock Holmes diverges from what Joel Silver calls “the dusty old chestnut” all too familiar from previous productions, and
腐烂
发表于 2025-3-28 02:00:03
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去才蔑视
发表于 2025-3-28 04:35:07
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strain
发表于 2025-3-28 09:59:22
Günter Weppler the critical conversation that surrounded the art of sound film in general and dubbing specifically. Fundamental to this work so far has been pointing out how the birth and evolution of sound cinema in Italy was displaced by, and framed within, the techno-political practice of dubbing, as sound cin
极端的正确性
发表于 2025-3-28 13:56:18
Walter Sirch of soundtrack production that becomes a stylistic cipher, continuing with little critical questioning at least into the 70s, and the explosion of the Dolby System’s sound realism in the 80s (.). Post-synchronization as foreign film dubbing, what I would define as the techno-political application of