猛击
发表于 2025-3-23 13:33:39
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micronized
发表于 2025-3-23 17:20:29
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放气
发表于 2025-3-23 20:37:32
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DAUNT
发表于 2025-3-23 23:14:06
n particular, the chapter discusses theoretical frameworks of translation, feminism, activism, and trust; contextualises travel in a transnational history of women’s movements of the West; and reflects on the advantages and limitations of a case study approach.
Functional
发表于 2025-3-24 04:23:31
Katie Szilagyis women’s interests and concerns highlighted are the Bureau of Gender Affairs, the National Policy for Gender Equality (2011) and the National Strategic Action Plan to Eliminate Gender-based Violence (2017–2027). Additionally, Jamaica has signed several international ‘women’ instruments, chief among
BLANC
发表于 2025-3-24 06:52:55
pular culture remembers, misremembers, and forgets usable pasts, and the uses (and misuses) of thesememories for feminist politics. Given the ubiquity of the witch in popular culture, politics and activism since 2016, this book is a timely examination of the range of meanings inherent to the figure,
Transfusion
发表于 2025-3-24 11:26:44
Shawn Singh,Brandon Traskesent a time series analysis of bill introduction and floor debates on women‘s interests and issues legislation from 1962 through 2017. The concluding chapter ties up the research and provides recommendations f978-3-030-34681-2978-3-030-34679-9
Nonconformist
发表于 2025-3-24 15:54:55
2947-9274 to make visible the role of ignorance in governing society, highlighting how the late modern human experience in a post-World War II human rights era subsumes, subverts, and subli978-3-031-54356-2978-3-031-54354-8Series ISSN 2947-9274 Series E-ISSN 2947-9282
未完成
发表于 2025-3-24 19:16:59
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青石板
发表于 2025-3-25 02:38:12
Agency, Resistance, and Alienation: The Carceral Geographies of Art in the American Prison Systemle incarcerated artists engage in aesthetic endeavors as an alternative to being dispossessed by the state, (Fleetwood in Marking Time: Art in the Age of Mass Incarceration, Harvard University Press, 2020; Harbert and Gaines 2016), many others simultaneously are more passively engaged in their art,