致词 发表于 2025-3-27 00:19:27
http://reply.papertrans.cn/51/5016/501525/501525_31.pngVital-Signs 发表于 2025-3-27 03:42:10
http://reply.papertrans.cn/51/5016/501525/501525_32.png出没 发表于 2025-3-27 05:43:34
http://reply.papertrans.cn/51/5016/501525/501525_33.png险代理人 发表于 2025-3-27 12:30:43
http://reply.papertrans.cn/51/5016/501525/501525_34.png富足女人 发表于 2025-3-27 14:50:03
Herbert Bassarakulture as an important vehicle for both consumer desire and discourses of sincerity and authentic selfhood. They have argued that celebrities, by periodically falling from grace or giving us a glimpse of their imperfect everyday selves, perform authenticity itself and testify to the power of the hum小教堂 发表于 2025-3-27 20:55:13
Luise Hartwig Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-siècle European popular and high culture, selfhood, authenticity, and有危险 发表于 2025-3-27 22:51:41
http://reply.papertrans.cn/51/5016/501525/501525_37.pngCYN 发表于 2025-3-28 02:26:58
http://reply.papertrans.cn/51/5016/501525/501525_38.pngLEERY 发表于 2025-3-28 06:37:41
http://reply.papertrans.cn/51/5016/501525/501525_39.png类人猿 发表于 2025-3-28 11:48:14
Dan Olweusf die Formel: Biographien in den Schrank, Noten auf den Tisch. Nach Adornos Forderung, die Physiognomie einer Musik zu beschreiben sei deren eigentliche, authentische Analyse, überführten wir den musiktheoretischen Befund umstandslos in den soziologischen. Wir tendieren heute in dieser Frage mehr zu