有权
发表于 2025-3-23 11:20:47
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异端邪说下
发表于 2025-3-23 16:14:35
https://doi.org/10.1057/9781137309457chamber music; discourse; emotion; music; recording; William James; writing; British and Irish Literature
LANCE
发表于 2025-3-23 21:55:00
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Kaleidoscope
发表于 2025-3-24 00:21:53
William Martincienceeducation through careful examination of TIMSS data. The authorsbelieve this investigation shows how deceptive many often unquestionedassumptions about American education can be. Drawing upon many newanalyses not previously reported and integrating these with previousanalyses of TIMSS data, the authors 978-0-7923-5568-7978-0-306-47216-9
moribund
发表于 2025-3-24 03:19:13
Introduction,poral patterns. In many ways, the development of the new “rhythmic” science was prefigured by Herbert Spencer’s chapter on “The Rhythm of Motion” in . (1880), for the English philosopher there develops a physical conception of rhythm as the periodic equalization of force that is applied to diverse f
先兆
发表于 2025-3-24 07:25:27
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DNR215
发表于 2025-3-24 13:39:57
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Endometrium
发表于 2025-3-24 17:48:42
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Inoperable
发表于 2025-3-24 22:44:01
Conclusion,neteenth-century psychology and prosody to describe the habitual practices that inform Stephen’s development as a lyrical artist, including: (1) physical activities such as running or walking; (2) perceptual activities such as looking or listening; (3) musical activities such as singing and dancing;
RACE
发表于 2025-3-25 01:57:44
Book 2012inia Woolf and the ‘cadences‘ of the Imagists, Martin outlines a new concept of the ‘modern period‘ that describes the interaction between poetry and prose in the literature of the early twentieth century.