漠不关心 发表于 2025-3-21 17:53:53

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fiscal 发表于 2025-3-21 21:45:13

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反对 发表于 2025-3-22 04:14:22

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案发地点 发表于 2025-3-22 06:55:37

The Filming of a Memory, 2010). At a certain moment of the film, all the moviegoers (including myself; after all, I am not immune to Martí’s mythification) were crying almost uncontrollably. Once the movie was over, the entire audience, while still crying, gave a standing ovation to the film and several embraced one anothe

maintenance 发表于 2025-3-22 09:32:51

,Melancholia for Martí, not only that conscience is instituted, produced, and maintained within a larger polity and its organizations but that the ego and its various parts are also accessible through a metaphorical language that attributes a social content and structure to these presumably psychic phenomena. Although Fre

Vo2-Max 发表于 2025-3-22 14:29:55

Afterthoughts,nation with the lack that such a loss produces. But instead of trying to overcome that sense of mourning by attempting to . (an undesirable and impossible objective), we should use the traces of his memory as a utopic impulse toward forms of creative alternatives. When Martí’s images are seen with a

Ophthalmoscope 发表于 2025-3-22 21:05:11

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骇人 发表于 2025-3-22 22:52:36

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戏服 发表于 2025-3-23 05:01:59

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dura-mater 发表于 2025-3-23 08:24:44

ossible for Martí‘s images to be perceived as icons today. It argues that an observer of Martí‘s icons who is immersed in the Cuban national narrative experiences a retrospective reconstruction of those images by means of ideologically formed national discourses of power. Also, the obsessive reprodu
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查看完整版本: Titlebook: José Martí; Images of Memory and Emilio Bejel Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 body.corpus.discourse.ic