Inexorable 发表于 2025-3-25 06:19:09
http://reply.papertrans.cn/51/5011/501058/501058_21.png丧失 发表于 2025-3-25 08:38:04
http://reply.papertrans.cn/51/5011/501058/501058_22.png出血 发表于 2025-3-25 12:32:45
http://reply.papertrans.cn/51/5011/501058/501058_23.pngneutralize 发表于 2025-3-25 17:43:53
http://reply.papertrans.cn/51/5011/501058/501058_24.pngNOTCH 发表于 2025-3-25 23:40:31
Conclusion: Clare as Our Contemporary; Clare as History, and to the past – assessing how historicism has avoided the problematic presence of Clare in its own practice. It focuses upon some of the problems of the dominant mode of critical historicism, and through the examples of contemporary writers such as Alan Moore and Iain Sinclair who have responded材料等 发表于 2025-3-26 00:22:24
Looking, Painting, Listing, Noting: Clare, Women and Nature,re. With extensive close reading of manuscript evidence, and an engagement with the rare moments of feminist criticism of Clare, this chapter tackles head-on the accusation that Clare displayed the ‘habits of a sex-murderer’, specifically in the paratextual matter in the late asylum notebooks.痛苦一下 发表于 2025-3-26 04:41:53
http://reply.papertrans.cn/51/5011/501058/501058_27.pngpalpitate 发表于 2025-3-26 11:46:59
http://reply.papertrans.cn/51/5011/501058/501058_28.pngAdenocarcinoma 发表于 2025-3-26 14:41:01
Clare Making Text; Making Text of Clare, tortured critical history of the editing and presentation of Clare’s texts. The argument then turns to the manner in which Clare presents himself as a maker of text, and how that might inform future editions of his work, especially if editors are more open about the politics and intentions of their editing projects.Electrolysis 发表于 2025-3-26 19:31:59
Book 2017of the criticism that has appeared in response to his life and work, and asks hard questions about the modes and motivations of critics and editors. Clare is increasingly regarded as having been an environmentalist long before the word appeared; this book investigates whether this ‘green’ rush to pl