小客车
发表于 2025-3-21 16:33:29
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Detain
发表于 2025-3-21 21:42:46
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myopia
发表于 2025-3-22 00:51:01
60s and black-transnational political-cultures.Centers HendrThis book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an it
AND
发表于 2025-3-22 07:56:52
Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies, this chapter highlights his musical and extra-musical roles as a transnational symbol. This chapter places Hendrix, and rock music more generally, in histories of the 1960s counterculture (especially the Woodstock Festival), US exceptionalist myths, and the cultural Cold War.
vibrant
发表于 2025-3-22 08:57:33
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Nerve-Block
发表于 2025-3-22 15:52:49
,Jimi Hendrix and Black-Transnational Popular Music’s Global Gender and Sexualized Histories,etero-normative global gender and sexual roles in rock music and beyond. Complicating his fixed hetero-normative image, this chapter notes how Hendrix made flexible the strict divisions separating male and female genders and queer and straight sexualities.
Insufficient
发表于 2025-3-22 20:47:46
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最后一个
发表于 2025-3-22 22:15:36
,“I Don’t Want to Be a Clown Anymore”: Jimi Hendrix as Racialized Freak and Black-Transnational Iconation, Hendrix’s onstage antics, smashing and burning his guitar, playing the guitar with his teeth, with one hand, behind his back, and between his legs, had overtly sexual implications and continued US and international freak-show legacies.
令人作呕
发表于 2025-3-23 04:49:25
Book 2018ns of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories..
Schlemms-Canal
发表于 2025-3-23 07:49:14
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