foresight
发表于 2025-3-21 20:04:07
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Cirrhosis
发表于 2025-3-21 23:36:14
: Dialogue of Points of View: Jean-Luc Godard and ,ossible to account for one’s position as an external observer? Finally, both Godard and Antonioni tackled the problem of “objectivity” in relationship to objectivity and the circulation of images of conflict “elsewhere” in the mass media.
Tdd526
发表于 2025-3-22 01:20:55
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迅速飞过
发表于 2025-3-22 05:49:53
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数量
发表于 2025-3-22 12:17:08
,Who Speaks ,? Jean-Luc Godard’s ‘Militant Filmmaking’ (1967–74),e as analogous to the class struggle. Two questions that persist in the DVG’s films and that are asked in an array of experimental forms relate first to the representability of the political struggle and indignation, and second, to the authority of the voice of the filmmaker as the harbinger of political change.
Lineage
发表于 2025-3-22 12:56:30
Book 2019 dispel the myth that Godard’s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard’s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin.
凶猛
发表于 2025-3-22 18:05:27
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debacle
发表于 2025-3-22 23:35:46
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领带
发表于 2025-3-23 02:02:25
: Dialogue of Points of View: Jean-Luc Godard and , the Palestinian Liberation Organization. Drawing a genealogy of Western intellectuals’ engagement with Third World struggles, I posit anxiety of blindness and the fear of blind naïve identification as the key issues Godard grappled with as he completed the film as . in 1974 in collaboration with An
ADAGE
发表于 2025-3-23 07:46:10
Technique and Montage: Saying, Seeing and Showing the Invisible,to experiment with Anne-Marie Miéville about the means to bring about socio-political change within the framework “journalism of the audiovisual” that implied an “epistemology of seeing.” In this chapter, I analyze Godard’s concept of the “trademark image” in relationship to his embryonic experiment