CLASP
发表于 2025-3-25 05:33:06
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Inkling
发表于 2025-3-25 08:14:11
https://doi.org/10.1007/978-3-319-66373-9Cinematic Interval; Film Technology; Media Ecologies; Japanese Film History; Japanese Film Aesthetics
和谐
发表于 2025-3-25 13:12:16
Laura LeeProvides a theoretically-rich treatment of Japan’s historical new media contexts.Focuses on films that are widely known and easily accessible.Emphasizes the importance of global film culture to the co
制造
发表于 2025-3-25 18:45:45
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女歌星
发表于 2025-3-25 23:17:27
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HARD
发表于 2025-3-26 02:02:18
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拍翅
发表于 2025-3-26 05:09:47
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Madrigal
发表于 2025-3-26 12:27:28
tion, focusing on perceived trust andcredibility of risk communication sources, and arguments in riskmessages, risk comparison, and framing of risk. Special attention ispaid to the mass media context of risks and its impact on publicperception. Finally, the potential of the new interactive media for
主动脉
发表于 2025-3-26 14:22:27
Laura Leey to reach large audiences simultaneously at relatively low cost. It should be noted that not all communication media have witnessed similar technological developments. At the end of the 1980s and the beginning of the 1990s, a second revolution occurred in the world of the electronic media. Not only
意外的成功
发表于 2025-3-26 20:44:13
Laura Lee particularly well done, and you may be surprised at some of the things that are actually possible (at least in principle). We will also encounter a number of examples which fall into a fourth category: things that were purely science fiction at the time when the movie or television episode was prod