Permanent 发表于 2025-3-23 10:40:17
http://reply.papertrans.cn/51/5004/500378/500378_11.png蒸发 发表于 2025-3-23 16:28:11
http://reply.papertrans.cn/51/5004/500378/500378_12.pngascend 发表于 2025-3-23 19:08:01
http://reply.papertrans.cn/51/5004/500378/500378_13.pngvibrant 发表于 2025-3-24 00:53:42
http://reply.papertrans.cn/51/5004/500378/500378_14.pngdiathermy 发表于 2025-3-24 02:44:30
http://reply.papertrans.cn/51/5004/500378/500378_15.png令人悲伤 发表于 2025-3-24 08:39:06
,Hogg’s Self-Positioning in , and the Literary Marketplace,agement with the prevailing literary conflicts of his day through his use of the two key models of genre-mixing — the miscellany and the anthology. Using the ‘high’ culture of anthologising which would become central to the construction of a canonical British literary history, and ‘low’ literary for音乐会 发表于 2025-3-24 14:18:57
http://reply.papertrans.cn/51/5004/500378/500378_17.png等待 发表于 2025-3-24 17:58:59
,By Accident and Design: Burns, Shakespeare and Hogg’s Kaleidoscopic Techniques, from the Theatre aned forward the kaleidoscopic impulses of . through his use of competing voices and rival personalities, his transformation of literary precedents, and the many self-portraits with which he tried to write himself into the literary marketplace. His writings became increasingly unpredictable in their t浮夸 发表于 2025-3-24 19:44:44
http://reply.papertrans.cn/51/5004/500378/500378_19.png休闲 发表于 2025-3-25 01:09:16
Imploding the Nation: Aesthetic Conflict in ,,nt. In Part I, I situate . in the uneasy cultural climate of the mid-1830s and examine Hogg’s conception of the work as part of a literary culture of recollection, before considering the significance of the famous military strategist and turncoat, James Graham, fifth Earl and first Marquis of Montro