无能力
发表于 2025-3-23 13:41:17
Martha Chaiklinre aims at the four integration directions (physical, functional, mixed-criticality, legacy) of an integrated architecture, with emphasis on the reuse of legacy system and the coexistence of applications with mixed-criticality levels. Time-triggered services provide the foundation for safety-critica
Conjuction
发表于 2025-3-23 15:15:44
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evaculate
发表于 2025-3-23 19:27:23
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流浪者
发表于 2025-3-24 02:02:17
https://doi.org/10.1057/9781137363336Ivory; ivory Carving; Meiji; Yokohama; netsuke; Japan; okimono; art; sculpture; craft modernity; 20th century;
Pseudoephedrine
发表于 2025-3-24 04:53:13
Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
本能
发表于 2025-3-24 07:09:13
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MOAN
发表于 2025-3-24 13:22:33
,Art, Ivory and the Meiji Period — An Introduction,ress, but art objects in general and ivory in particular are shown to be an important part of this nationalistic support of foreign trade. Tracing the history of ivory use in the nineteenth century world and Japan, the stage is set with the art historical and taxonomic issues of the study of ivory.
影响深远
发表于 2025-3-24 15:45:02
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maladorit
发表于 2025-3-24 21:29:20
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使迷醉
发表于 2025-3-25 01:13:37
,Ivory after Meiji — A Conclusion,ingei (folk art) movement as exemplified by Yanagi Sōetsu excluded ivory as a relevant medium. Ivory is given an ontological place through the actions of its artists, who developed support networks and trained future generations of sculptors.