meditation 发表于 2025-3-23 11:47:28
http://reply.papertrans.cn/48/4766/476600/476600_11.png可行 发表于 2025-3-23 16:00:13
http://reply.papertrans.cn/48/4766/476600/476600_12.png发誓放弃 发表于 2025-3-23 21:06:45
http://reply.papertrans.cn/48/4766/476600/476600_13.pngextinguish 发表于 2025-3-23 23:34:11
Forbidden Love, Forgetting Gender,at when spoken, the Chinese language makes no distinction between “he” or “she,” thus allowing for more gender ambivalence. This ambivalence extents to sexuality; in their campy, extravagant performances, the duo exudes a queer aesthetics, without ever coming out as such—what Helen Leung calls HongSTERN 发表于 2025-3-24 04:14:20
http://reply.papertrans.cn/48/4766/476600/476600_15.pngoutrage 发表于 2025-3-24 07:57:47
,1 + 1 = ?,itle is not only an admittedly self-indulgent twist of a title of Tat Ming’s song “1+4=14”; it necessitates thinking on how to discuss the legacy of music practitioners in general. Shelving the titular reference to 2+2=5, the Orwellian dystopian caution of brainwashing and thought control, we are wo抛媚眼 发表于 2025-3-24 12:55:05
http://reply.papertrans.cn/48/4766/476600/476600_17.pngInferior 发表于 2025-3-24 17:58:07
Documenting the Past, Sustaining the Present, Making the Future,n music? We will then expand our ideas of writing pop and politics in tandem with writing the past, the present and the future—interlaced with a colonial and post-colonial account of Hong Kong, a rally to resilience and activism, and a dialogue with hope and future, all very makeshift. After outliniA精确的 发表于 2025-3-24 22:12:38
http://reply.papertrans.cn/48/4766/476600/476600_19.pngfrivolous 发表于 2025-3-25 03:07:22
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