习惯 发表于 2025-3-21 19:13:28
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Reithianism and Modern(ist) Broadcasting Between the Wars: To Inform, Educate or Project?times at odds with the more “modernist” agenda embraced by others who saw the listener as an individual to be enriched and enabled, rather than improved. This divergence could also be observed in empire broadcasting in a context punctuated by desires for greater autonomy against the backdrop of an ihermetic 发表于 2025-3-22 05:38:57
The Absence of Television: Broadcasting and War in Britain, 1939–1945orist Raymond Williams (1974) called a technology and a cultural form. It investigates how the reasons for stopping television and reconfiguring radio were intertwined with ideas about the cultural role of broadcasting as a socially inclusive medium, the technological development of radio and televi任命 发表于 2025-3-22 11:19:23
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Government Intervention in the Twenty-First-Century UK Broadcasting Ecologyty-first century. The interest will be to scrutinise justification for rather than implementation of how government intervention has been defined and legitimised, and will not necessarily focus on its regulatory instruments and avenues. The analysis of the 2003 and 2013 broadcasting regulation revie针叶类的树 发表于 2025-3-22 18:15:52
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British TV Party Political Broadcasts: Persuasive, Performative Broadcasting): the mediating role they play in the democratic process, and how they evolved into sophisticated “performance” of political communication where entertainment is used as a persuasive lever to influence attitudes, if not behaviour. PPBs have borrowed from other television formats to develop into anMILL 发表于 2025-3-23 03:08:47
The Sum of the Parts: , (BBC TV, 1971)—A Case StudyBBC’s . slot in 1971. Shot on the Orkney archipelago, off the north coast of Scotland, the film was adapted from three short stories by Orcadian writer George Mackay Brown, was directed by James MacTaggart and scripted by John McGrath, whose combined contributions created a work greater and more intdithiolethione 发表于 2025-3-23 07:28:45
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