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Writer Meets Painter,rse, centred on sustained discussion of the practice, teaching, and morality of art. In Weinberger, a deeply committed and erudite painter, Murdoch recognised a kindred spirit, who was the practical embodiment of her theoretical ideas. Though Weinberger was a minor artist, and Murdoch a major writerdissolution 发表于 2025-3-22 07:11:31
Murdoch and Visual Art,ascination with the visual arts originated in her schooldays. In her early adulthood she considered pursuing a career in painting. Realising eventually that she would not become a painter, Murdoch channelled her experimentation with the visual arts into her novels. She weaves imagery and techniquesCHOKE 发表于 2025-3-22 08:59:25
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Kindred Spirits,t ways. Its impact on her is apparent in her novels, her remarks in interviews, and her philosophical works of this period. Her increasing interest in painting, specifically abstract painting, is evident in her 1977 interview with Bryan Magee, and in ‘Art Is the Imitation of Nature’ (1978). Her jour揉杂 发表于 2025-3-22 17:14:23
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,‘More than a Likeness’: The Ethics of Portraiture,ts on the subject of portraiture. In . and . Murdoch explores the ethics of portraiture most directly. Although these novels were written years before Murdoch and Weinberger met, her interrogations of portraiture in them closely connect with the ideas which Weinberger works out in his artistic pract偶像 发表于 2025-3-23 08:12:33
,‘Something in a Dark Picture’: Reconceptualising Angels,The angel represents a vital mediating space on the boundary of internal and external realities which can reorientate the individual towards truth, but which is at continual risk of turning in on itself. In . and . the angel becomes the site of aesthetic and erotic fantasy. In ., Murdoch turns to gr