coherent
发表于 2025-3-21 19:00:40
书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0474794<br><br> <br><br>书目名称Investigations Into the Phenomenology and the Ontology of the Work of Art读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0474794<br><br> <br><br>
背书
发表于 2025-3-21 21:16:15
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LEER
发表于 2025-3-22 02:12:10
Memory and Mental States in the Appreciation of Literature, of literary narrative must be mediated by the fragmentary and distorted memory of real readers. In the present chapter, we focus on an important determinant of memory: the variation in readers’ mental states during reading. In particular, we identify two prevalent fluctuations that have critical im
令人悲伤
发表于 2025-3-22 06:44:26
Temporal Conflict in the Reading Experience,he characters in the story have a visual perspective on the represented world whereas the reader has a temporal perspective on the narrative as such. The reader’s temporal perspective is a bit eschewed to the represented visual perspective in that there is a temporal distance between the represented
恃强凌弱的人
发表于 2025-3-22 09:46:32
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originality
发表于 2025-3-22 16:53:10
What Is a Surface? In the Real World? And Pictures?,psychology by Metzger in Ganzfeld experiments in the 1930s. However, it was first offered as a serious concept in perception theory by Alhazen in his . (1039). Remarkably, almost no contemporary theory of perception uses the term. To rectify this omission, a theory of surfaces is presented here, sug
放肆的你
发表于 2025-3-22 19:08:00
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药物
发表于 2025-3-23 01:13:43
Why We Are Not All Novelists,l draw from psychopathology, phenomenology and neuroscience. Using the phenomenological concept of “multiple realities,” I argue that the novelist is in some ways like and in some ways unlike someone who experiences delusions insofar as the novelist can enter into a sustained engagement with an alte
contrast-medium
发表于 2025-3-23 04:54:55
Aesthetic Relationship, Cognition, and the Pleasures of Art, with an analytical distinction between aesthetics and art-theory, I propose a psychologically and phylogenetically grounded description of the mental resources on which aesthetic experience draws. After tracing a tentative phylogeny of the cognitive and affective resources defining aesthetic experi
neutralize
发表于 2025-3-23 09:33:41
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