请回避
发表于 2025-3-21 18:24:17
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harmony
发表于 2025-3-21 23:52:20
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crutch
发表于 2025-3-22 02:41:09
Shivakumar R. Goniwadaate, even though in a rough and limited manner, the source of resentment that endows the aesthetic from its postmodernist critique — what has claimed for itself the space of the anti-aesthetic. Then, I will examine the implications of simulation in postmodernist culture, and, particularly, in perfor
正式通知
发表于 2025-3-22 05:16:58
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emission
发表于 2025-3-22 10:03:48
Shivakumar R. Goniwadaolitical dimensions of the flash mob and other ‘flash’ behaviours, with consistent attention on participants’ use of urban space in the earlier ‘do-it-yourself’ or ‘grassroots’ non-commercial flash mob events.. Analyses of the flash mob from scholars in theatre, dance and performance studies are als
immunity
发表于 2025-3-22 13:43:53
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gain631
发表于 2025-3-22 18:13:19
Shivakumar R. Goniwada my switch. When Schechner defined performance as any ‘twice behaved behavior’ (1985, p. 36) and Judith Butler called our postmodern constructed state ‘performative’, that is, ‘ are . in the sense that the essence or the identity that they otherwise purport to express are . manufactured
粘连
发表于 2025-3-22 22:00:01
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POLYP
发表于 2025-3-23 05:03:09
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蜈蚣
发表于 2025-3-23 06:22:48
nd gender models for pedagogy/creative dance), and their relationship to feminist pedagogies. She then describes and critiques her own developing vision, identifying three key points related to feminist pedagogies:.She concludes with the acknowledgement that her goal is not to persuade her students