改变
发表于 2025-3-23 12:59:41
Lost in the Labyrinth,s to elaborate his own massively mythic world-discourse. It is notable, over the book as a whole, that the parts of that poem which most fascinate him are the primal and collective cries which he reappropriates: ‘by the waters of babalong’ (p. 103); ‘we weep now with them. O! O! O!’ (p. 158); ‘Shaun
大酒杯
发表于 2025-3-23 16:22:58
Intertextual Dynamics within the Literary Group of Joyce, Lewis, Pound and EliotThe Men of 1914
incision
发表于 2025-3-23 18:43:15
Intertextual Dynamics within the Literary Group of Joyce, Lewis, Pound and Eliot978-0-230-37849-0
强壮
发表于 2025-3-24 01:27:05
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ensemble
发表于 2025-3-24 05:42:10
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小教堂
发表于 2025-3-24 08:19:43
https://doi.org/10.1057/9780230378490English literature; George Eliot; Modernism; British and Irish Literature
晚间
发表于 2025-3-24 11:15:52
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EXALT
发表于 2025-3-24 17:33:10
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旧石器
发表于 2025-3-24 21:54:57
These the Companions,history — even if history here appears as a species of hysteria. Yet its style makes it ‘as modern as tomorrow afternoon and in appearance up to the minute’ (p. 309). It constitutes, in a sense, the nearly psychotic counterdiscourse of the artist in a world increasingly taken over by technological master-discourses out of control:
渗透
发表于 2025-3-24 23:10:36
Book 1990rnism developed an experimental discourse through mutual rivalry and sharing. And it describes different group roles, contributions and changes of emphasis within an overall project stretching from 1914 into the 1950s.