rods366 发表于 2025-3-26 21:52:02

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凝视 发表于 2025-3-27 03:06:37

Homoeroticism, and Americanarest or in action, sport, combat, or dance, for instance. This tradition of homoeroticism naturally extends to cinema as well, where the direction of the camera’s gaze is under complete control of the filmmaker. This chapter examines male homoeroticism in . (1948) and the contributions that music makes towards the romanticizing of male youth.

FECT 发表于 2025-3-27 06:53:14

Queer Monster Good: , and nic, sexual, political, or ideological Other. Benshoff based his work upon essays by Robin Wood, who suggested that the horror film was thematically based upon three variables: ., represented by heterosexual patriarchal capitalism; the ., embodied by a ‘monster’; and the . (Benshoff 1997: 4).

沐浴 发表于 2025-3-27 10:33:45

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要求比…更好 发表于 2025-3-27 13:41:41

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LEVY 发表于 2025-3-27 20:37:48

https://doi.org/10.1057/9781137454218Musicology; Queer theory; Queer studies; Queerness; Film music; Film score; Music composition; American cin

鸣叫 发表于 2025-3-27 22:36:23

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NORM 发表于 2025-3-28 03:10:55

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Intuitive 发表于 2025-3-28 07:17:52

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证实 发表于 2025-3-28 13:15:34

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查看完整版本: Titlebook: Intersecting Film, Music, and Queerness; Jack Curtis Dubowsky Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Musicology.Qu