原始
发表于 2025-3-25 07:19:04
Feminine Adolescence and Transgressive Materiality in the Films of Lucrecia Martel aesthetic project. It explores the local proliferation of girl-images which followed in the wake of Martel’s influential début . (2001), and indicates some of their global resonances. Whilst Martel has come to be seen as a crucial player in the experimental-ism and aesthetic break with previous Arg
放逐某人
发表于 2025-3-25 10:55:17
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CHASE
发表于 2025-3-25 15:36:13
Desire, Outcast: Locating Queer Adolescences her gaze back in our direction. Her image resides in a movie poster next to a definition of the film’s titular subject: “PARIAH . 1. A person without status. 2. A rejected member of society. 3. An out-cast.”. . (Dee Rees, 2011) is a film of escape (about looking out) but also of self
ZEST
发表于 2025-3-25 18:39:50
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虚弱
发表于 2025-3-25 21:57:49
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Resign
发表于 2025-3-26 04:03:26
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narcissism
发表于 2025-3-26 05:32:26
The Pleasures of Music Video Aesthetics in Girl Teen Filmnces created as “appropriately” fun for girls are generally part of a normative model that stresses femininity as a bodily characteristic and visibility as the girl figures’ only access to power and pleasure.. In the romantic comedy/girl teen film . (Winick, 2004, USA), Jenna (Jennifer Garner) takes
BRAWL
发表于 2025-3-26 11:24:59
Where’s Girlhood? The Female Child Killer in , (Tony Hickson, 2005)trangled to death two younger boys, Martin Brown (aged four) and Brian Howe (aged three). Unlike other near-contemporary murder cases that had shocked the nation, such as the child-killings dubbed “the Moors Murders” in Manchester three years earlier, Bell’s crimes would not go on to inspire very mu
cornucopia
发表于 2025-3-26 16:22:13
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专横
发表于 2025-3-26 17:51:18
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