medieval
发表于 2025-3-23 10:04:54
http://reply.papertrans.cn/48/4709/470811/470811_11.png
富饶
发表于 2025-3-23 15:02:04
http://reply.papertrans.cn/48/4709/470811/470811_12.png
讨好美人
发表于 2025-3-23 20:50:47
http://reply.papertrans.cn/48/4709/470811/470811_13.png
破裂
发表于 2025-3-24 00:07:41
is volume illustrate, contestation promises opportunities for re-perceiving, re-interpreting, and productively disrupting the orthodoxies of disciplinarity. – ‘Many thanks to Ignacio Rojas whose patient assistance and expertise as an artist in designing the cover proved invaluable in bringing this b
Pde5-Inhibitors
发表于 2025-3-24 05:08:32
Being Dead in Shakespearean Tragedy,cues do not always indicate a clear point at which someone can be pronounced (theatrically) dead, and moreover that Shakespeare exploits the legal, medical, and moral ambiguities surrounding the performed transition from life to death, imaginatively exploring the state between being and not being.
首创精神
发表于 2025-3-24 09:43:57
Overcoming Death: Conserving the Body in Nineteenth-Century Belgium, preserving the corpse answered medical fears about rotting dead bodies and placed anatomy in a more favourable light. Anatomists made use of the “death as sleep” metaphor that originated in funeral culture and repositioned the corpse in a transitional zone between life and death, thus aligning the anatomical cabinet to the deathbed spectacle.
Hay-Fever
发表于 2025-3-24 10:55:17
http://reply.papertrans.cn/48/4709/470811/470811_17.png
Awning
发表于 2025-3-24 18:44:23
http://reply.papertrans.cn/48/4709/470811/470811_18.png
Hypopnea
发表于 2025-3-24 19:10:41
Book‘‘‘‘‘‘‘‘ 2017efined through cultures, practices, and commemorations? In other words, when exactly is death? Taken together, these contributions explore how death emerges in a series of stages that are uncertain, paradoxical, and socially contested. .
Intractable
发表于 2025-3-25 01:05:29
http://reply.papertrans.cn/48/4709/470811/470811_20.png