小天使
发表于 2025-3-21 19:29:22
书目名称Intercultural Aesthetics in Traditional Chinese Theatre影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0470699<br><br> <br><br>书目名称Intercultural Aesthetics in Traditional Chinese Theatre读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0470699<br><br> <br><br>
物种起源
发表于 2025-3-21 21:12:46
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掺假
发表于 2025-3-22 04:19:24
Border-Crossing , Actors in Beckettian ,general categorization of types of characters trained in certain acting style and skills—links the performer and the character. Because of this, the focus of actors’ transformation is on role types. Contemporary Legend Theatre’s . adaptation of . (2005) is predominantly an experiment on acting style
自负的人
发表于 2025-3-22 05:44:27
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辩论的终结
发表于 2025-3-22 09:58:48
Reframing Audience Experiences: Brechtian Estrangement and Metatheatricality Displaced in ,re and creative system—of reshaped stage-audience relationship since the early twentieth century, and prepares for a new attempt at reframing audience experiences by reassessing the relationship between . and illusionistic theatre. As case studies, the following section analyses . (.) (1987), a . ad
Infect
发表于 2025-3-22 12:58:01
Conclusion, to transform its aesthetics. The result is either generation of productive and probably lasting new aesthetic paradigms, problematic narcissism, or an uncritical imposition of Western aesthetics. The fundamental issue involved in this is an emphasis on self-subjectivity, based on thorough and thoug
草率男
发表于 2025-3-22 17:20:08
inese theatre studies by joining it with international discoThis book traces the transformation of traditional Chinese theatre’s (.xiqu.) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and perform
Firefly
发表于 2025-3-23 00:28:17
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画布
发表于 2025-3-23 03:22:30
,‘Egotistic’ Adaptations of ,: Intercultural Playwrights Haunted by Tradition,itional Chinese motifs onto Shakespeare, but further, it also diminishes the polyphonic voices in . to the point of flattened characterization, a loss of humanistic spirit, and a narcissistic obsession with self and own tradition.
主动脉
发表于 2025-3-23 08:25:56
Border-Crossing , Actors in Beckettian ,uddha. Regarding the issue of actors, this chapter first touches on how the choice of . in this adaptation relates to the displacement of metaphysical context, that is Buddhism. Then, it analyses the transformation of actors’ performing conventions to formally embody the comic failure in Beckett’s play.