掩饰
发表于 2025-3-21 19:08:19
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无弹性
发表于 2025-3-21 23:23:44
,Nae Ionescu, the Young Generation, ‘The Spiritual Itinerary’ and Education Abroad, 1927–1932,ntellectual influence on the Young Generation, Nae Ionescu. The chapter then introduces the most significant members of the Young Generation as well as how they knew each other. This chapter then presents an in-depth exposition of the material explored by Eliade in his manifesto for the Young Genera
Conflict
发表于 2025-3-22 04:03:21
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Alopecia-Areata
发表于 2025-3-22 07:44:44
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暴发户
发表于 2025-3-22 12:05:53
,Criterion Activity of 1933–1935: Politics, Exhibition, Symposia, Music and the Publication,me name. In January 1933, Criterion scheduled a series entitled ‘Trends.’ Due to the Griviţa riots, Criterion was not able to resume public activity until the following fall. Then, the association held two series: one artistic, ‘Major Moments of Music,’ and another geared more toward social and poli
外貌
发表于 2025-3-22 15:17:55
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cortisol
发表于 2025-3-22 20:45:47
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Indelible
发表于 2025-3-23 00:16:40
The Fate of the Young Generation and the Legacy of Criterion,g those who escaped and had successful careers in exile (Eliade, Cioran and Ionesco), the chapter uncovers the diverse destinies of those left behind in Romania (Vulcănescu, Sebastian, Comarnescu, Tudor, Stancu, Noica and Sadova). The chapter explores what the Criterionists wrote about Criterion in
Radiculopathy
发表于 2025-3-23 01:30:17
Conclusion,ise. Bejan returns to Benda’s 1927 warning and reasserts that this book has attempted an objective analysis of the figures involved. The question of the value of the Criterionists’ literary or scholarly works is raised with a consideration of Norman Manea’s approach to the issue. The conclusion asse
ARK
发表于 2025-3-23 05:41:42
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