CHOP
发表于 2025-3-27 00:53:52
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你敢命令
发表于 2025-3-27 02:54:45
Elena Kelareva,Kevin Tierney,Philip Kilby rhetoric (Evans 586; Lewisohn 735). In 1977 the pilot script was submitted to the BBC and by the time several episodes were completed in script, it was 1978 and broadcasting was scheduled for 1979. However, since a General Election was to be held in May 1979, the BBC was worried that such an eminen
lesion
发表于 2025-3-27 05:29:18
Brian Kell,Willem-Jan van Hoeveng it as the channel’s ‘greatest comedy show’ ever (with one contributor — the actor and writer Jessica Hynes — praising it as ‘the perfect, perfect comedy show’). In this respect, . has not only achieved growing popularity since its initial transmission but has also undergone changes in the way in
令人苦恼
发表于 2025-3-27 10:06:47
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Gesture
发表于 2025-3-27 16:06:01
Mark H. Liffiton,Ammar Malikow have to negotiate a far more complex set of hurdles. When writer/actor Jessica Hynes constructed a sitcom about the early suffragette movement (the 2013 .) it appeared that the only way forward was now (curiously) backwards and the only way this project could be executed was to use 1970s sitcom .
AER
发表于 2025-3-27 19:46:04
Yuri Malitsky,Deepak Mehta,Barry O’Sullivan,Helmut Simonisow have to negotiate a far more complex set of hurdles. When writer/actor Jessica Hynes constructed a sitcom about the early suffragette movement (the 2013 .) it appeared that the only way forward was now (curiously) backwards and the only way this project could be executed was to use 1970s sitcom .
Heresy
发表于 2025-3-28 01:25:19
Axel Nyberg,Tapio Westerlund,Andreas Lundell6 film adaptation of . or Olivier in . (1981) or Peggy Ashcroft in . (1984). ., in particular, seemed to offer an opportunity to show off the best of British acting, and Dickens, in general, peopled by eccentrics, villains and grotesques seems to offer not so much a narrative as a performance.
angiography
发表于 2025-3-28 04:46:02
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面包屑
发表于 2025-3-28 09:54:47
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污点
发表于 2025-3-28 11:19:33
Andreas Schutt,Thibaut Feydy,Peter J. Stuckeyinto its own, however, exemplified by two landmark BBC serials of 1967 — . and . — which marked the transition from black-and-white to colour. It was the advent of colour broadcasting that ushered in a golden era for the costume drama in the 1970s with the BBC’s . (1970), . (1971), . (1976) and . (1