Blazon
发表于 2025-3-25 06:48:03
Martin Schröder des moralisch Guten oder Richtigen betrachtet werden. Als negative Begleiterscheinung dieser Ethik-Konjunktur ist festzustellen, daß zahlreiche Beiträge weder theoretisch noch praktisch fundiert, sondern in erster Linie als rhetorische Übung zu klassifizieren sind..
证实
发表于 2025-3-25 10:31:44
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催眠
发表于 2025-3-25 12:03:45
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树木心
发表于 2025-3-25 16:15:45
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中国纪念碑
发表于 2025-3-25 21:05:30
Introduction, the analysis of welfare states and production systems. Instead, ‘neither students of the welfare state nor students of political economy viewed the welfare state as an integral part of national economies’ (Pierson 2000: 793; for a similar argument, cf. Deeg and Jackson 2006: 31; Soskice 2007: 92).
agglomerate
发表于 2025-3-26 01:28:34
Empirical Indicators and Existing Typologies,country scores high on welfare liberalism, it must also score high on indicators of a liberal production system. In turn, high scores for coordination should go together with indicators of a conservative or social democratic welfare arrangement. This section will check whether this is the case. As i
Legion
发表于 2025-3-26 07:42:37
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赞成你
发表于 2025-3-26 08:58:55
How Complementarities Stabilize Three Capitalisms,reas varieties of capitalism analyses how firms coordinate with their environment, welfare state research focuses on how individuals are provided for, if not by the market. The two typologies do not analyse the same actors and do not ask the same questions. So they should not arrive at a similar cat
tooth-decay
发表于 2025-3-26 15:07:29
,Diversity’s Source: Three Policy Styles, Three Capitalisms,gy of production and welfare regimes. The argument is that a culture and social structure that lead to a liberal welfare state . lead to a liberal production system. In turn, a culture and social structure that stand behind a coordinated production system also stand behind a social democratic or con
得意牛
发表于 2025-3-26 20:33:35
What Can a Unified Typology Explain?,apart, and how they can nonetheless be brought together. But while it is usually self-evident that we want a play’s protagonists to come together, one question must be answered here, which Paul Pierson (2000: 808f.; also cf. Korpi 2000: 28) summarizes pointedly: ‘Much discussion has focused on wheth