催眠 发表于 2025-3-25 06:33:17
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Donald C. McFetridgeongruity which gave Dickens the germ for . Wilson is right, I think, in distinguishing between the relevant primitivisms; but at certain points it becomes peculiarly difficult to separate the more ‘conventional’ from the childhood-as-Eden primitivisms.miniature 发表于 2025-3-25 13:22:04
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Donald C. McFetridgewhich he is radically different from them. For one thing, he is not innocent: he is disconcertingly shrewd and penetrating. For another, there is a grotesque quality about Paul that the narrator underlines at several points. This makes him different from, say, Little Nell, with whom he is often comp推迟 发表于 2025-3-25 21:16:01
Donald C. McFetridgetiny. London’s crowds, however, constitute a third moving force in Dickens’s city. They are constantly described in terms that evoke the generally adjacent Thames, suggesting that some of the river’s work of exploring the power of religious symbolism in a modern context may also be discernible in thinflate 发表于 2025-3-26 03:19:47
Donald C. McFetridgea cellar ‘like a sort of coffin in compartments’ and a ‘bier-like sofa’ (I 3 p. 33) which serves to bury her own secret, the codicil. William Dorrit dreams about the house functioning literally as a tomb for ‘the body of the missing Blandois, now buried in a cellar and now bricked up in a wall’ (IIEmployee 发表于 2025-3-26 05:18:03
Donald C. McFetridgef how writing and image work in particular ways to recreate and re-enchant society and the built environment. It will be of interest to scholars of literature, media, film, urban studies, politics and economics..978-3-319-81720-0978-3-319-35086-8Series ISSN 2634-6494 Series E-ISSN 2634-6508展览 发表于 2025-3-26 10:01:01
a corresponding new interest in what determines conduct.”1 She does not elaborate on this statement nor cite any further evidence to back it up, yet she is certainly correct in pointing to “the new scientific interest in heredity characteristic of Victorian literature,” despite the fact that heredit脊椎动物 发表于 2025-3-26 13:30:44
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