Commodious
发表于 2025-3-28 14:48:26
Ján Paralič,František Babičxercise of his imagination to determine the visual embodiment of the author’s text — and that about 85 per cent of his time is spent making sure that what he has imagined and designed is properly executed. With ., Mielziner’s 15 per cent was so imaginative and appropriate for the play’s artistic and
雕镂
发表于 2025-3-28 21:10:07
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Limerick
发表于 2025-3-29 02:30:39
onant psychological realities: the fear of death and the desire to overcome it. Mortality is a recurrent theme in films across genres, periods, nations, and directors, and the range of films dealing with this theme alone suggests that the link between death and cinema is deserving of sustained analy
pacific
发表于 2025-3-29 04:32:52
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悲观
发表于 2025-3-29 07:19:06
António Abreu,Patrícia Macedo,Luis M. Camarinha-Matosirly rigorous control over point of view. In many cases, the narrative elaborately denies us sight of the corpse, or even of a ritually substitute body such as the grave, and instead encourages us to peer through multiple layers of suggestion. This effect climaxes in ., where the whole text becomes
Dissonance
发表于 2025-3-29 15:06:55
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Panacea
发表于 2025-3-29 19:26:00
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bile648
发表于 2025-3-29 21:35:10
Fabiano Baldo,Ricardo J. Rabelo,Rolando V. Vallejoshoroughly banished, as have most of the other Russian influences such as language (the famous attempts to make Finns speak Russian were always doomed to failure and have perhaps led to the nationalistic desire to speak the Finnish language). Interestingly (regarding the contentious legacy of Russia)
grieve
发表于 2025-3-30 00:17:19
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就职
发表于 2025-3-30 05:02:03
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