hector 发表于 2025-3-21 17:15:10
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Elisa Giacosae nightmarish sacrificial sign-work of cybernetic-like compulsions toward a New World Order of systematic overdevelopment, transglobal CAPITAList hegemony and straight whitemale economies of logic, morality and pleasure. The technologically driven and culturally orchestrated shifts in the command, cadmission 发表于 2025-3-22 18:30:32
Elisa Giacosaation and vertigo. As reflexive social forms, these games were once the province of generous gift exchange, festival, and the ecstasy of both pagan and shamanistic rites of healing. Today, they are being telecommunicatively reprocessed and then sold for profit. This gives games of simulation and verIrrepressible 发表于 2025-3-22 22:44:28
Elisa Giacosasense of closure that death inevitably entails, which, in formal terms, seems both conceptually and materially closer to the still, than to the moving image, the latter so suffused with life. Death in cinema often implies the end of narrative and of signification itself, which poses a particular herInduction 发表于 2025-3-23 03:34:43
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y, those in the fantasy genre. Futuristic works such as . (2004) and . (2002) present the eradication of emotion as a possibility. Likewise, the five films based on Stephenie Meyers’s . and the eight films inspired by J. K. Rowling’s . series illustrate the desire to master emotion and conquer death