chalice
发表于 2025-3-23 09:57:30
Digital Production Pipeline for Virtual Cultural Heritage Applications Using Interactive Storytellinns recreate history by inviting users to travel back in time. One of the more popular approaches for enhancing the immersion of time-travellers within virtual environments is interactive digital story-telling, which enables users to learn while exploring. While the process of developing interactive
人类的发源
发表于 2025-3-23 17:04:21
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CLAP
发表于 2025-3-23 21:09:35
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GRIPE
发表于 2025-3-24 01:52:41
Model-Driven Design of eMedia: Virtual Technology Transfer Officerent kinds of organizational structures aiming to assist public research organizations in managing their intellectual properties that facilitate their transformation into benefits for society. Taking into account the specifics of the transfer of technology as an innovative process described by appro
包租车船
发表于 2025-3-24 04:05:13
ical evolution and cultural evolution and recent cultural neCultural neuroscience combines brain imaging techniques such as functional magnetic resonance imaging and event-related brain potentials with methods of social and cultural psychology to investigate whether and how cultures influence the ne
占卜者
发表于 2025-3-24 09:58:25
ical evolution and cultural evolution and recent cultural neCultural neuroscience combines brain imaging techniques such as functional magnetic resonance imaging and event-related brain potentials with methods of social and cultural psychology to investigate whether and how cultures influence the ne
Dignant
发表于 2025-3-24 11:18:40
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In-Situ
发表于 2025-3-24 15:39:29
Patricia Diego,Cristina Etayo,Enrique Guerreroplex societies. It outlines a dynamic, processual conception of culture and a general view of the role of cultural dynamics in policy-making, drawing three significant methodological implications: pluralism, performativity, and semiotic capital. It focuses on the theoretical and methodological aspec
integral
发表于 2025-3-24 19:16:28
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身体萌芽
发表于 2025-3-25 02:35:47
sed—cultural pluralism, theperformativity of sensemaking and the relevance of semiotic capital. The cultural pluralismconcept claims that the objective characteristics of reality—however one wants to intendobjectivity—are unable to reduce fully the space of freedom that qualifies any subjective act