MAIM 发表于 2025-3-23 12:16:48
Tony Cornford,Valentina Lichtnerd cultural change in contemporary Italy. The sheer number of ‘events’ designed to recall, celebrate, analyse and assess the ‘revolution-that-never-was’ reveals significant paradoxes. In 1968 the media (press, radio and television) were the objects of criticism and even physical attack by the movemenremission 发表于 2025-3-23 14:04:08
http://reply.papertrans.cn/47/4656/465560/465560_12.pngascend 发表于 2025-3-23 21:25:05
Aurélie Dudezert,Pierre Fayard,Ewan Oiryions have affected every level of existence, from the political to the social, and from the economic to the cultural. Certain key events and developments, transformed into easily accessible clichés, stand out in the maelstrom of change. Disseminated not just through the channels of the ever more per虚度 发表于 2025-3-24 00:19:21
http://reply.papertrans.cn/47/4656/465560/465560_14.pngInsufficient 发表于 2025-3-24 02:53:32
http://reply.papertrans.cn/47/4656/465560/465560_15.pngd-limonene 发表于 2025-3-24 09:12:11
Richard Baskerville,Robert Davison,Mala Kaul,Louie Wonge in Italian society in the postwar years. First, over the whole of the period between the 1930s and the 1970s it occupied a central place in Italian culture; in the popular, lived culture of the nation that is. Following the decline of film-going in Britain and France in the late Forties and early管理员 发表于 2025-3-24 12:13:21
http://reply.papertrans.cn/47/4656/465560/465560_17.pngDebrief 发表于 2025-3-24 16:30:58
Information Systems and Assemblages,s’. The motivation behind the choice of the conference theme has been the increasing appreciation of notions of emergence, heterogeneity and temporality in IS studies. We found that the conference provided an opportune occasion for inviting scholars interested in exploring these notions, their relev反对 发表于 2025-3-24 20:28:04
http://reply.papertrans.cn/47/4656/465560/465560_19.pngmuffler 发表于 2025-3-25 01:56:25
http://reply.papertrans.cn/47/4656/465560/465560_20.png