渗漏 发表于 2025-3-21 18:08:27
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http://reply.papertrans.cn/47/4655/465439/465439_2.png开始发作 发表于 2025-3-22 00:44:02
Madhusudan Singh1, 1995), used the production as an opportunity to lampoon what she termed “Third Sexers”: “It has become an acceptable liberal line in recent years that anything which ‘crosses the gender boundary’ is a Good Thing.… This includes transvestites, transsexuals … and now ‘Third Sexers.’ As if two hadn’faculty 发表于 2025-3-22 06:58:01
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http://reply.papertrans.cn/47/4655/465439/465439_5.pngexigent 发表于 2025-3-22 16:41:07
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Madhusudan Singh binaries, not to mention discussions of embodiment, myth, spectacle, theatricality, the carnivalesque and much more. Importantly, the influence of Butler has led to Carter’s representations of the female body, the inscriptive power of normative discourses, and the freedom-orientated potential of ch助记 发表于 2025-3-23 00:07:52
Madhusudan Singhsed gender in another sense, publishing under male pseudonyms, and, in the case of George Eliot, arguably adopting a self-consciously masculinist rhetoric. Novels such as Wilkie Collins’s . (1860), M.E. Braddon’s . (1862) and . (1893) depicted female protagonists who, in different ways, radically chvitreous-humor 发表于 2025-3-23 02:59:32
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Madhusudan Singhr more is given over to writings that deal with men, the legalities and consequences of homosexuality at this time and so forth. With obvious reasons to put forward for an apparent lack of collatable material such as levels of education and literacy, it seems possible to suggest that one of the reas