ODIUM 发表于 2025-3-26 21:29:36

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Fillet,Filet 发表于 2025-3-27 02:46:20

Negotiations on Necropolitics and Death in the Cinema on the Indigenous Peoples of Mindanaot closely examines . (Riddles of My Homecoming) (dir., Arnel Mardoquio, Arnel. 2013), a film based on Mindanao settler’s beliefs that the souls of dead Lumad return to their homeland to resolve unfinished businesses. Through a set of tableaux and other surreal images in the sphere of dreams, the fil

paltry 发表于 2025-3-27 07:21:49

Distress in the Agusan Marshlands: Mapping Landscapes of Fear in Francis Xavier Pasion’s , (2014)ber, heading to a floating school on Lake Mihaba near the town of Loreto in the province of Agusan when a 30-foot-long crocodile knocked over their boat and took Rowena. The incident occurred in the fourth largest province in the Philippines in terms of land area. Primarily occupying the province’s

connoisseur 发表于 2025-3-27 09:54:40

Igorot Self-Representation in the , on Facebookthe Igorot, a collective term that refers to different Indigenous groups in the Philippines Cordillera region. Through a rhetorical analysis of five publicly available Facebook posts that used the hashtag, as well as interviews with five self-identifying Igorot social media users, I posit that . is

heart-murmur 发表于 2025-3-27 13:55:56

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可用 发表于 2025-3-27 19:12:54

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商店街 发表于 2025-3-27 23:24:35

Reframing and Reclaiming Kulintang Music: Countering Written History with Contemporary Reality the 1904 St. Louis World’s Fair was uncivilized due to what she perceived as its “bewildering” rhythms and lack of unifying forms. She described the sound of the kulintang, an Indigenous gong ensemble, as chaotic and fiercely aggressive, much like she described the people themselves. This chapter e

污点 发表于 2025-3-28 03:37:22

When Lumad Youth (Re)Write the Indigenous and the Juvenile: Constructiveness in Children’s Books Tolthe mainstream commonly disseminates dominant values and knowledges that accord to hegemonic constructions of children. At the same time, popular and state-sanctioned portrayals of Indigenous peoples elide the political-economic forces that endanger their communities. These romanticizing and even in

萤火虫 发表于 2025-3-28 06:19:09

Lumad Indigenous Values and Voices in Citizen and Alternative Media Narrativesand alternative media narratives. The concept of cultural integrity encompasses various fundamental human rights, including the rights to culture, subsistence, livelihood, religion, and heritage. This study scrutinizes the representation of Lumad voices in relation to their Indigenous values, juxtap

Spangle 发表于 2025-3-28 12:09:16

The Redness of , in Ibaloy Folklore and Literature The presence of ., like Promethean fire, transformed Ibaloy society: . was first intended by the Ibaloys’ foremost deity Kabunian to scatter the settlements called . and introduce trade to the mountain people. Gold, however, also brought about social stratification and the arrival of colonial force
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查看完整版本: Titlebook: Indigenous Media and Popular Culture in the Philippines; Representations, Voi Jason Paolo Telles Book 2024 The Editor(s) (if applicable) an