公理
发表于 2025-3-28 15:13:20
How Does It Feel to Be the Solution? Indians and Indian Diaspora Fiction: Their Role in the Marketplt Indian critics have devised the theory and pedagogy of postcolonialism as much out of desire for inclusion, as white America has institutionalized and implemented them in a concerted attempt to marginalize traditional minorities in American universities. The popularity of Indian American fiction i
patriot
发表于 2025-3-28 21:11:15
Commodifying Culture: Language and Exoticism in IWEsuccess, however, comes with a price for writers practising their art in a colonial language. Recognition and acceptance by the West coexist with a mixed response back home, where IWrE receive some critical praise but are also routinely treated with a dose of suspicion, if not with hostility, by oth
该得
发表于 2025-3-28 23:00:18
Of Saris and Spices: Marketing Paratexts of Indian Women’s Fiction I agree with the editors that Western audiences do have a relevant influence on the ways in which Indian culture. — I will be limiting my analysis here to the field of fiction in Indian writing in English (IWE) by women — is produced, circulated and consumed on a global scale.. I will assert here t
Enervate
发表于 2025-3-29 05:42:11
Kiran Desai’s , and the Troubled Symbolic Production of a Man Booker Prize Winnercture of its place in the global cultural economy, and to attempt to understand the complex and conflicted position into which a literary novel positioned as ‘Indian’ must enter if it is to be accepted by the readers for whom such novels are, to use Pierre Bourdieu’s phrase, ‘objectively destined’..
责难
发表于 2025-3-29 10:59:56
Global Goondas? Money, Crime and Social Anxieties in Aravind Adiga’s Writings— vis-à-vis other crime and detective fiction, in order to understand the particular thematic contours of the former, and in so doing seek to come to terms with the social anxieties that it reflects. It may well be that the heavily ironic and cynical criminal in IWE is over-determined by India’s anx
演绎
发表于 2025-3-29 13:05:05
‘(Not) readily available’: Kiran Nagarkar in the Global Markets peers in the field of IWE — has fared conspicuously poorly in terms of international distribution and visibility. This fact seems to stand in stark contrast to his high reputation among Indian critics and academics, as well as to the domestic literary awards he has received. Even in India, however