Induction
发表于 2025-3-23 11:40:46
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障碍
发表于 2025-3-23 17:47:13
Shanti Bardhan and Dance as Protest,riting on Indian dance in the past five decades. This silence is due in part to Bardhan’s untimely death at the age of thirty-eight, to the lack of available resources and documentation of his choreographic oeuvre and partly perhaps to the discomfort that many left-oriented Indian scholars may have
大门在汇总
发表于 2025-3-23 20:43:32
Manjusri Chaki Sircar and Feminist New Dance,abhai’s dance. Curiously, apart from Kothari (2003) important narratives on modern and contemporary dance from India, including that of Ketu Katrak (2011), have left out Chaki Sircar’s choreographic works.. This chapter considers possible reasons for this neglect and discusses how Chaki Sircar’s dan
patriot
发表于 2025-3-24 01:18:16
Ranjabati Sircar and the Politics of Identity in Indian Dance, book in Bengali (2001: 157–Aishika Chakraborry’s excellent (2008) edition of the dancer’s writings — there is remarkably little written critical analysis of Sircar’s dance repertoire. Sircar’s choreographic works deserve extensive analysis along with a much-needed review of her career trajectory, w
AVERT
发表于 2025-3-24 04:48:51
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Anonymous
发表于 2025-3-24 06:46:30
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GROG
发表于 2025-3-24 14:10:52
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美食家
发表于 2025-3-24 14:55:00
Book 2014This book examines modern dance as a form of embodied resistance to political and cultural nationalism in India through the works of five selected modern dance makers: Rabindranath Tagore, Uday Shankar, Shanti Bardhan, Manjusri Chaki Sircar and Ranjabati Sircar.
迎合
发表于 2025-3-24 19:21:17
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弓箭
发表于 2025-3-25 02:02:57
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