FLAG
发表于 2025-3-23 09:51:20
Alan Robinsonnon-specific genus antigen then an infection is assumed if there is a fourfold rise in serum antibody titer in the course of a period of 10 days to 4 weeks, and certainly if the CFT titer is greater than 1:64 Sometimes the patients fail completely to mount any form of complement fixing antibody resp
ciliary-body
发表于 2025-3-23 14:32:14
non-specific genus antigen then an infection is assumed if there is a fourfold rise in serum antibody titer in the course of a period of 10 days to 4 weeks, and certainly if the CFT titer is greater than 1:64 Sometimes the patients fail completely to mount any form of complement fixing antibody resp
慢跑鞋
发表于 2025-3-23 20:54:31
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知识分子
发表于 2025-3-23 22:11:36
Book 2004een the two cities which Londoners inhabited: the physical spaces of the metropolis, whose socially stratified and gendered topography was shaped by consumer culture and unregulated capitalism; and an imaginary ‘London‘, an ‘Unreal City‘ which reflected and influenced their understanding of, and act
FLAIL
发表于 2025-3-24 03:22:57
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Silent-Ischemia
发表于 2025-3-24 07:55:20
nship between the two cities which Londoners inhabited: the physical spaces of the metropolis, whose socially stratified and gendered topography was shaped by consumer culture and unregulated capitalism; and an imaginary ‘London‘, an ‘Unreal City‘ which reflected and influenced their understanding o
Blood-Clot
发表于 2025-3-24 10:59:25
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肮脏
发表于 2025-3-24 14:54:45
,A Tale of Two Cities: Dickens’s ‘London’,up¬posedly familiar turns without warning into a terrifying reminder of what has been repressed. This chapter therefore looks at both the realistic and the melodramatic in Dickens’s tale of two cities by tracing, through recurrent preoccupations and motifs, some of the idiosyncrasies of his imaginary ‘London’.
APO
发表于 2025-3-24 19:28:54
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小故事
发表于 2025-3-25 01:32:34
The Painting of Modern Life,is. But although the links between the Victorian novel and the city have received extensive critical attention, treatments of Victorian painting have largely failed to consider why, despite radical changes in London comparable in scale to Haussmann’s remodelling of Paris, no developments in English art occurred comparable to French Impressionism.