antiquated
发表于 2025-3-25 04:15:00
David Howarthaces of Maxwell’s equations and their trace spaces. These two new chapters, which summarize the most up-to-date results in the literature for the Maxwell’s equations, are sufficient enough to serve as a self-contained introductory book on the modern mathematical theory of boundary integral equations
ostracize
发表于 2025-3-25 08:38:17
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Institution
发表于 2025-3-25 12:12:54
David Howarthr transformation .(3.1.12) and its inverse . = .(3.1.14). The linear pseudodifferential operators can be characterized by generalized Fourier multipliers, called symbols. The class of pseudodifferential operators form an algebra, and the operations of composition, transposition and adjoining of oper
共同给与
发表于 2025-3-25 19:49:48
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A保存的
发表于 2025-3-25 21:54:24
The Royal Palace,with violent competitive gymnastics than with palace building. To the late twentieth-century mind it seems curious that the joust and the tilt, wrestling and hunting were so important to the Renaissance monarchy; surprising that is until we read ., in which Castiglione devotes chapters to the pursui
颠簸地移动
发表于 2025-3-26 01:36:02
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解脱
发表于 2025-3-26 07:58:55
The Royal Portrait: The Tudors,aissance as artists of international stature; the only ones who have ever been persuaded to settle in England. The visions of Holbein and Van Dyck have created imagery of two kings surpassing that of any other English sovereign. Queen Victoria was on the throne for significantly longer than the reig
阴险
发表于 2025-3-26 09:25:05
The Royal Portrait: The Stuarts, on the inside of the Tower of the Five Orders described by Pevsner as ‘a frontispiece prouder than any in England’. The sculpture was erected to commemorate the foundation of the library by Sir Thomas Bodley in the early years of the seventeenth century. It is a concentrated and richly allusive ima
chronicle
发表于 2025-3-26 15:04:09
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AWL
发表于 2025-3-26 18:24:29
Patrons of Power,t spent lavishly on appearances whatever their particular religious sympathies may have been. Attempts have been made to equate Catholicism and patronage of the arts but this cannot balance. Sensitivity to the arts and an awareness of their powers of persuasion had little to do with religious sympat