领口 发表于 2025-3-21 18:40:47

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Congeal 发表于 2025-3-21 23:17:33

The Early Image of Africa,own among the Afro-American poets of that period, i.e. Jupiter Hammon, Phillis Wheatley and George Moses Horton. All three of them were slaves and had been able to publish their poetry only because they lived in particularly fortunate circumstances.

水土 发表于 2025-3-22 00:29:21

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率直 发表于 2025-3-22 05:24:02

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得体 发表于 2025-3-22 08:46:30

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鬼魂 发表于 2025-3-22 15:27:14

Pan-Africa as a Myth in the Literary Work of DuBois,ld of ideas have stood in the way of an unequivocal critical assessment of him.. The often conflicting means and devices which he used to pursue his aims are confusing, unless one simply sees him as an ‘opportunist’.. But the ‘Paradox of W. E. B. DuBois’. can perhaps be solved by attempting to disco

facilitate 发表于 2025-3-22 17:18:06

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Restenosis 发表于 2025-3-22 22:30:37

,The Transitional Phase — Time of Scepticism,e in the 1930s. Those who identify the Harlem Renaissance with exoticism and see the white primitivists and patrons as the driving force behind the movement, argue that it experienced ‘a spectacular demise’.. What is more: the quick collapse is taken as evidence of its superficiality . Others — usua

骚扰 发表于 2025-3-23 04:35:55

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与野兽博斗者 发表于 2025-3-23 05:44:09

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查看完整版本: Titlebook: Images of Africa in Black American Literature; Marion Berghahn Textbook 1977Latest edition Marion Berghahn 1977 America.Amerikanische Lite