ostrish
发表于 2025-3-25 03:26:40
Identifying (In)congruencenced by broader historic, cultural, and institutional context. Following discussion of expectations and genre—constructs that facilitate exploration of judgements of what constitutes (in)appropriate film music—this chapter overviews the evolution of attitudes towards musical (mis)fit, (in)appropriat
陶醉
发表于 2025-3-25 08:03:48
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蚊子
发表于 2025-3-25 12:12:22
Intradomain Incongruence in the Opening Battle Sequence from en cues. Such localised contrasts are considered in the context of different types of surprise and explored by study of the transition from energetic to tranquil music in Hans Zimmer’s score for the opening battle sequence in .. The relationship with the music of earlier epics and the centrality of
猛然一拉
发表于 2025-3-25 16:54:54
Mozart, Harmonicas, and Aesthetic Incongruence in rative. Influenced by individual and societally shaped attitudes, such judgements echo those frequently made about the (in)appropriateness of music in various everyday contexts. A sequence from . in which an operatic aria is played over the prison intercom is used to further explore these issues. In
开始从未
发表于 2025-3-25 21:58:39
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champaign
发表于 2025-3-26 03:18:57
Duran Duran and Semantic Incongruence inthis trope. However, the semantic incongruities in such pairings may still influence perception and response despite other congruities and conformity to genre conventions. This chapter considers how the use of Duran Duran’s ‘Ordinary World’ alongside the depiction of a brutal beating in . might inf
Gentry
发表于 2025-3-26 04:49:14
Conclusionsare summarised. The analytical potential of this approach is evaluated, as are the opportunities it presents for methodological reflection, as demonstrated by brief critique of the method of data collection and analysis presented in the preceding case study chapters. The book’s recurrent themes are
Antarctic
发表于 2025-3-26 11:55:59
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使更活跃
发表于 2025-3-26 16:26:22
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完成
发表于 2025-3-26 16:52:50
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