腐败
发表于 2025-3-26 22:24:29
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供过于求
发表于 2025-3-27 02:59:07
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惊呼
发表于 2025-3-27 08:03:58
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canonical
发表于 2025-3-27 12:46:38
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licence
发表于 2025-3-27 13:38:22
,The Other Self of the Imagination: Cindy Sherman’s Hysterical Performance,hen why does Sherman use her own body—distorted by costumes, make-up, and props—as her main model? If it is not a question of self-representation, then what is the relationship between the depiction and the female body being represented? We must consider further, at least.
Outmoded
发表于 2025-3-27 20:26:31
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脊椎动物
发表于 2025-3-27 23:48:17
Hysterical Aesthetics in Contemporary Performance: Theater, Dance, Voice,t of dialectical corporeal surrogation—or “hosting” (Laura González). In the phrasing of vocalist Sage Harlow, this constitutes a dangerous but necessary aesthetics of love, wherein that which arises from within or without the host body must be accepted with compassion, even as this challenges one’s own sense of subjectivity.
刺耳的声音
发表于 2025-3-28 03:17:57
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主讲人
发表于 2025-3-28 07:50:49
Dora with Medusa: Is Hysterical Writing a Subversive Revolution?,se to literature and examines Cixous’ theater play as a piece of literature which brings the history of psychoanalysis as talking cure to the stage. A plurality of theories emerges in the Dora-Fragment, from which art can also provide inspiring information.
碎石
发表于 2025-3-28 12:48:15
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