手或脚 发表于 2025-3-21 17:47:42

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外观 发表于 2025-3-21 21:30:00

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vibrant 发表于 2025-3-22 03:58:16

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转折点 发表于 2025-3-22 06:41:08

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细微的差异 发表于 2025-3-22 08:59:07

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易弯曲 发表于 2025-3-22 15:46:43

Coming of Age, with Vampireseedoms and unaccustomed responsibility for the self, responsibility which entails the challenge of consent. Of particular interest to this discussion is the focus on children of divorce and how these texts echo and amplify anxieties directed toward the latchkey or self-caring offspring of single mothers, giving social concerns a monstrous form.

野蛮 发表于 2025-3-22 17:10:50

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scoliosis 发表于 2025-3-22 23:09:55

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苦恼 发表于 2025-3-23 04:20:54

Book 2017illa, to .True Blood. and .The Originals., the figure of the vampire embodies taboos and desires about hospitality, rape and consent. The first section welcomes the reader into ominous spaces of home, examining the vampire through concepts of hospitality and power, the metaphor of threshold, and the

expire 发表于 2025-3-23 08:31:02

2634-6214 uminates the role of the vampire as an embodiment of the vio.This unique study explores the vampire as host and guest, captor and hostage: a perfect lover and force of seductive predation. From Dracula and Carmilla, to .True Blood. and .The Originals., the figure of the vampire embodies taboos and d
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查看完整版本: Titlebook: Hospitality, Rape and Consent in Vampire Popular Culture; Letting the Wrong On David Baker,Stephanie Green,Agnieszka Stasiewicz-B Book 2017