Hippocampus
发表于 2025-3-25 06:16:41
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表被动
发表于 2025-3-25 10:40:15
The Editor(s) (if applicable) and The Author(s) 2017
Ruptured-Disk
发表于 2025-3-25 13:07:06
https://doi.org/10.1057/978-1-137-56593-8Masculinity; Lesbianism; Cinecittà; Body; Sex; Gender
细节
发表于 2025-3-25 16:46:34
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重力
发表于 2025-3-25 21:13:05
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Virtues
发表于 2025-3-26 02:19:53
extensive archival research on hundreds of unpublished documThis book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in It
变色龙
发表于 2025-3-26 08:08:30
Book 2017representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer c
老人病学
发表于 2025-3-26 10:36:10
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mortuary
发表于 2025-3-26 14:46:43
Enjoying the Darkness,ation of film projections as opportunities to manifest a shared sexual identity, and of cinemas as ‘cruising spots’. It also explains why the deeply homophobic ultraconservative culture often adopted similar modes of theoretical discourse and strategies.
好色
发表于 2025-3-26 17:48:31
Luchinidi and Pasolinidi,blic opinion in 1960, films such as Visconti’s . and those written by Pasolini before his debut as a director acquire new meaning, and contribute to a turn towards more ambiguous representations resulting from conflicting and diverging intentions, ideologies and personal experiences.