cipher
发表于 2025-3-25 05:39:56
,The Final Phase; van Ostaijen’s Lyrical Prose as a Language of Perception, of these difficult pieces has usually offered little more illuminating than an abstract adverb. Perhaps one reason for this respectful neglect might be their apparent cryptic and impenetrable quality. The present effort attempts to discuss these pieces within a coherent framework of theoretical cor
integrated
发表于 2025-3-25 08:18:53
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Hay-Fever
发表于 2025-3-25 13:24:30
The Style of the Grotesques a Description of Linguistic Subversion,rk of art as “ in sich geschlossenes sprachliches Gefüge.” The discussion may, perhaps, demonstrate how tightly knit these tales are and how the technical expertise proceeds to negate its own carefully constructed artifice.
Pastry
发表于 2025-3-25 16:46:11
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etiquette
发表于 2025-3-25 22:24:12
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ciliary-body
发表于 2025-3-26 01:20:32
The Induced Topology and Its Dual,iew one can see more clearly what is happening in a special case. We begin, therefore, by discussing the notion of induced topology before going on to embeddings and subspaces; likewise, we discuss the notion of coinduced topology before going on to quotient maps and quotient spaces.
整理
发表于 2025-3-26 05:18:45
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针叶
发表于 2025-3-26 12:02:03
https://doi.org/10.1007/978-1-4612-1986-6in the budget allocated. Others seem to be out beating the bushes and finding ways to link things together through various forms of creative financing. It is the attitude that spells the difference between success and just doing the job.
魅力
发表于 2025-3-26 12:53:02
Science Fiction, Art, and the Fourth Dimensionization of the idea of higher spatial dimensions. This essay explores the usages of the spatial fourth dimension by wells and subsequent science fiction writers as well as cubist painters and the artist Robert Smithson.
THE
发表于 2025-3-26 20:20:11
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