熔岩 发表于 2025-3-23 09:45:36
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Literature of the Second Generation: Who Owns the Story?,ore the nuances of this intersection in imaginative or ostensibly documentary retellings of real or imagined family pasts but, in the texts I have considered, those who experienced the Holocaust first-hand do not constitute the true subject. These texts are, whether fictional or autobiographical, stAnonymous 发表于 2025-3-23 20:03:58
Book 2007to final year undergraduates and postgraduate students, as well as scholars in literary and Holocaust-related fields, and an audience with personal and professional interests in the ‘second generation‘.collagenase 发表于 2025-3-24 01:36:26
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Book 2007ma, and fantasy to understand the how traumatic family histories are represented. In doing so, it demonstrates the continuing impact of familial and community Holocaust trauma, and the need for a precise, clearly developed theoretical framework in which to situate these works. This book will appealEVICT 发表于 2025-3-24 08:53:46
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aphy, trauma, and fantasy to understand the how traumatic family histories are represented. In doing so, it demonstrates the continuing impact of familial and community Holocaust trauma, and the need for a precise, clearly developed theoretical framework in which to situate these works. This book wi过分自信 发表于 2025-3-24 15:53:13
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Holocaust Writing of the Second Generation,t book of its kind, it also sets out to inform the general public about the experiences of survivors in the aftermath of the war, and to survey, often critically, the clinical studies that were made of them and their children.