健谈的人
发表于 2025-3-23 10:31:37
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暗语
发表于 2025-3-23 16:04:53
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现代
发表于 2025-3-23 18:27:00
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Subdue
发表于 2025-3-24 01:39:22
Contemporary Fiction and Embodied Experience: Feeling the Holocaust,ks such as Donna Deitch’s made-for-television adaption of . (1999) and John Boyne’s . (2006) demonstrate, younger generations are increasingly being primed to access the Holocaust through embodied engagement with its central horrors. The fiction of Heather Morris, additionally—from . (2018) to . (20
彩色的蜡笔
发表于 2025-3-24 06:18:10
Between Irreverence and Impiety: Laying the Foundations for a Rosean Approach to Holocaust Represent, it argues that current conceptions of impiety—defined by our temporal and emotional distance from the Holocaust—in fact argue for the essential ineffability of the Holocaust. This, the chapter outlines, starkly contradicts Gillian Rose’s original conception of impiety and, in fact, stands to fore
搬运工
发表于 2025-3-24 08:32:36
Conclusion,ting directions. As certain works have come to develop a preoccupation with creating inhabitable moments of Holocaust trauma—prosthetic memories based around fictional recreations of death in the gas chamber and sexualised victimisation—other works, those defined by Joost Krijnen as embodying modern
冬眠
发表于 2025-3-24 11:03:42
Introduction,ose uses the example of Steven Spielberg’s . (1993), which she views as the archetypal example of Holocaust piety. Spielberg’s film does not provide depthful and complex portraits of its two principal characters, Oscar Schindler and Amon Goeth, but rather provides two abstract embodiments of good an
acheon
发表于 2025-3-24 16:30:59
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Ventricle
发表于 2025-3-24 19:10:08
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帐单
发表于 2025-3-25 00:55:13
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