acheon
发表于 2025-3-23 12:15:23
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EXALT
发表于 2025-3-23 15:20:01
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组成
发表于 2025-3-23 21:43:16
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Albumin
发表于 2025-3-24 01:34:28
The Infidel as Prophet: William Reid and Blakean Radicalism,holarly studies of English popular radicalism. If he is remembered, it is for having published in 1800 .. Yet even this remains a fringe source. Despite its claim to have exposed ‘the most secret operations’ of a revolutionary, freethinking and millenarian underworld, much of the 117-page contents r
注意
发表于 2025-3-24 02:53:18
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Alveoli
发表于 2025-3-24 07:48:16
,‘Self-Imposition’, Alchemy, and the Fate of the ‘Bound’ in Later Blake,portant is a certain ambiguity about this, especially in the period before about 1800 (Larrissy, 1985). On the one hand, ‘The bounded is loathed by its possessor’ (. , E2), on the other, ‘Truth has bounds. Error none’ (., 4: 30, E92). One thing that can be inferred from this is that Blake feels a
焦虑
发表于 2025-3-24 10:56:48
,Blake and the ‘Reasoning Historian’,ght lead us to conclude that he learned little from Enlightenment historians. And the prophetic form of his narrative might seem to reinforce this conclusion. The historical perspective adopted by writers ‘such as Hume, Gibbon and Voltaire’ was secular, and tended to make social evolution seem parti
gait-cycle
发表于 2025-3-24 18:18:24
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占线
发表于 2025-3-24 22:33:22
,Blake, Democritus, and the ‘Fluxions of the Atom’: Some Contexts for Materialist Critiques, the timebound and material underpinning of a dead poet’s achievement, fails to acknowledge what John Dunn has called the ‘arrogance of ideological explanation’, or ‘the claim to understand another’s thinking more deeply than he does himself, without being in a position to provide true descriptions
抓住他投降
发表于 2025-3-25 02:36:23
Innovative Reproduction: Painters and Engravers at the Royal Academy of Arts, from the mid-eighteenth century onwards had finally secured for themselves and for their professions an elevated position among the .. In the young Joshua Reynolds’s self-portrait, dating from the late 1740s, the painter’s gaze is no longer that of a humble artisan, but is directed from his easel t