损坏
发表于 2025-3-23 12:50:21
Kenneth L. Shonk,Daniel Robert McClureanzinnovation auch in Deutschland möglich ist, wobei diese Finanzinnovation die Struktur des deutschen Sozialversicherungswesens berücksichtigen muss, sie gleichzeitig aber auch als Stärke mit einbeziehen kann. Dabei soll außerdem untersucht werden, ob sich das Finanzierungsinstrument der Vermögensv
弯曲的人
发表于 2025-3-23 14:31:45
Kenneth L. Shonk,Daniel Robert McClureanzinnovation auch in Deutschland möglich ist, wobei diese Finanzinnovation die Struktur des deutschen Sozialversicherungswesens berücksichtigen muss, sie gleichzeitig aber auch als Stärke mit einbeziehen kann. Dabei soll außerdem untersucht werden, ob sich das Finanzierungsinstrument der Vermögensv
遗留之物
发表于 2025-3-23 19:03:58
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夹死提手势
发表于 2025-3-24 01:54:36
,“400 Years”: Modernity, The ,, and Jamaican Music,ialism, the Atlantic Slave system, capitalism, the Enlightenment, the nation-state (or nationalism), and imperialism. Reggae music in the 1970s exemplified the time-space compression characterizing the experience of people of African descent caught in the deep legacies of modernity. Through pop song
arbiter
发表于 2025-3-24 03:58:38
,“This Charming Man”: Queer and Alternative Masculinities, 1970–1994,d Bowie, to Devo, to Pansy Division, to Pearly Jam, among others, offered performative forms of masculinity that challenged or undermined the general concept of what it meant to be a man in the late twentieth century. In turn, this chapter utilizes queer and masculine theory to demonstrate how alter
Arthritis
发表于 2025-3-24 07:52:55
,“Will the Wolf Survive?”: Punk Rock and Chicana/o Identity in Los Angeles,ctively worked to break from their Mexican cultural roots. This chapter argues that the LA punk scene of the 1970s and 1980s was a further example of .—that is, hybridization as an act of resistance and survival. What resulted was the furthering of a distinctly syncretic Mexican-American identity. B
Basilar-Artery
发表于 2025-3-24 11:54:15
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MODE
发表于 2025-3-24 18:33:10
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防水
发表于 2025-3-24 22:39:52
,,: MTV and the “Quiet” Feminism of the 1980s,s as Madonna, Blondie, Joan Jett, the Go-Gos, and Cyndi Lauper, among others, built off the intellectual positionality and energies of Second Wave Feminism in their efforts to ensure that the voice of the unconventional woman could be heard. Moreover, this chapter argues that the sex-positivity and
继而发生
发表于 2025-3-25 00:02:16
,: The Celtic Moment in 1980s Alternative Rock,orms of nationalistic resistance to the neoliberal order central to the socio-economic agenda of British Prime Minister Margaret Thatcher. Different in scope, these nationalisms reflect the fundamental critique found in 1980s Britain and Ireland. As such, this chapter seeks to recontextualize the mu