恭维
发表于 2025-3-25 03:22:04
ns, and surveillance on urban spaces, and how artists have responded. This chapter opens an inquiry into the growing ubiquity of networks in global cities and the new conditions for information exchange these have established. Gilles Deleuze (October 59, pp. 3–7, 1992), Manuel Castells (The rise of
IRS
发表于 2025-3-25 11:08:03
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引起痛苦
发表于 2025-3-25 15:15:20
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dendrites
发表于 2025-3-25 19:10:45
John Longley,Dag Normannducation. She considers the broader existential significance of this phenomenon using Dewey’s aesthetic philosophy. Laverty argues that if Dewey is right that (a) music exemplifies artfulness and (b) to live well is to live artfully, then an education in music—formal and informal—constitutes an educ
Muscularis
发表于 2025-3-25 20:41:38
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赏钱
发表于 2025-3-26 00:45:05
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Cumbersome
发表于 2025-3-26 05:52:58
John Longley,Dag Normannation. Many of the essays in this collection claim a direct connection between critical thinking, democratic dissensus, and anti-racist pedagogy with aesthetic experiences. They argue that aesthetics should be reconceptualized less as mere art appreciation or the cultivation of aesthetic judgment of
SPALL
发表于 2025-3-26 09:26:44
John Longley,Dag Normannace increased budgetary constraints. This chapter examines the common law (primarily that of Canada and the United States) surrounding museums and those responsible for their management. It looks at recent cases where instances of deaccessioning have been challenged in courts. The idea of expanding
懒惰民族
发表于 2025-3-26 13:02:31
John Longley,Dag Normanneritage and the destiny of iconic artefacts have emerged as the new frontier of international law, making headlines and attracting the varied interests of academics and policy-makers, museum curators and collectors, human rights activists and investment lawyers and artists and economists, just to me
watertight,
发表于 2025-3-26 19:06:46
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