果仁 发表于 2025-3-23 13:27:01
Tobias Dyckerhoff,Mikhail Kapranovncerns about the relationship between culture and economy inThis book is about the relationship between art and work in the cultural economy. It is an exploration of the experiences of people working in cultural and creative industries, and of the importance of place, identity, and culture in postinGuaff豪情痛饮 发表于 2025-3-23 16:16:06
Tobias Dyckerhoff,Mikhail Kapranovque paradoxes of the term “hipster”, which is at once an aesThis book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire’s flâneur to the contemporary “creative” borne from creative industries policies. It claims that the recent ubiq补助 发表于 2025-3-23 19:31:55
Tobias Dyckerhoff,Mikhail Kapranovmporary “creative” borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to t我邪恶 发表于 2025-3-23 23:43:40
Tobias Dyckerhoff,Mikhail Kapranovits organization as itself an aesthetically ordered activity. In doing so, it combines both a range of theoretically informed approaches, as well as a number of different sites of research and analysis, including organizational games, songs and the bodies of organizational members themselves. What inonplus 发表于 2025-3-24 06:06:38
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heavy duty’ surveillance that occurs in prisons and other carceral organizations. An aesthetic reading of . (Foucault, 1991) evokes almost the same shivers as a chilling fairy story. We empathize with the fate of the prisoner and other victims of internment, finding in their subjection and interrogaCT-angiography 发表于 2025-3-24 18:00:24
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Higher Segal Spaces978-3-030-27124-4Series ISSN 0075-8434 Series E-ISSN 1617-9692Brochure 发表于 2025-3-25 01:43:33
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