刀锋 发表于 2025-3-25 03:47:25
Ananya Chatterjeams gehören 5–6 Hauptsymptome (► Übersicht) oder 4 Hauptsymptome bei gleichzeitigem Nachweis von Aneurysmen. Beim inkompletten Kawasaki-Syndrom (tritt v. a. im Sgl.- und KK-Alter auf) fehlen mehrere Hauptsymptome, es kommt jedoch zu Aneurysmenbildung der Koronarien.Fecundity 发表于 2025-3-25 11:25:01
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Introduction,orary concert dance, characterized by global desire to belong to it, this chapter articulates some of the primary concepts that determine the analytical framework for this book: how innovation is determined, how artistic chronologies are entangled with aspirations for “newness,” and how time-worn st五行打油诗 发表于 2025-3-25 17:33:58
States of Contemporary Dance, with as they enter it and stake a claim for visibility and survival in their own terms. Beginning with an examination of the inherited opposition of conceptual versus representational art in the history of Western avant-garde performance, it traces some of the irreducible differences that emerge whGET 发表于 2025-3-25 21:01:04
Choreographies of Difference-Making,linked to meaning-making, signification, and transformation, it suggests that recurrent practices of just world-making, connecting with local ecologies, healing, and spirituality are core to this different choreographic mode. It also reimagines some of the hallmarks of contemporary dance from the pe纬度 发表于 2025-3-26 00:10:34
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Nora Chipaumire: Rewriting as Decolonizing Heat,evealing the perspectives of History’s “others.” It refers to her manipulation of choreographic vocabulary as she creates cross-referentialities between works deemed “historic” and “masterpieces” and her rewritings of these pieces and her refusal to monumentalize her own works as consolidated choreo影响 发表于 2025-3-26 15:52:15
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Lemi Ponifasio, Camille Brown, Prumsodun Ok, Alice Sheppard: Constellatory Heat and Light on Alterint work of four other choreographers in order to emphasize the multiplicity and difference at the heart of South-South Contemporary Dance. Organized as a constellation, creating both heat and light, this chapter illuminates the work of New Zealand-based Samoan choreographer, Lemi Ponifasio, African-