装饰 发表于 2025-3-25 07:08:28
http://reply.papertrans.cn/43/4250/424902/424902_21.pngHALO 发表于 2025-3-25 08:40:29
http://reply.papertrans.cn/43/4250/424902/424902_22.png消音器 发表于 2025-3-25 13:32:04
http://reply.papertrans.cn/43/4250/424902/424902_23.png爱社交 发表于 2025-3-25 16:19:47
http://reply.papertrans.cn/43/4250/424902/424902_24.png碌碌之人 发表于 2025-3-25 23:39:23
http://reply.papertrans.cn/43/4250/424902/424902_25.pngEjaculate 发表于 2025-3-26 00:27:46
The Great War and the Sonic Grammar of the Modern in Germany,esents how the experience of the Great War exposed millions, against their will, to the deadly sounds and noises of modern warfare. Such a coercive exposure, occurring within a very short period, branded the sensory experience of an entire generation and forced them to tune their ears to the new soulesion 发表于 2025-3-26 06:57:05
http://reply.papertrans.cn/43/4250/424902/424902_27.png有害处 发表于 2025-3-26 09:25:06
Hearing in Crisis,the Weimar Republic sound contributed to the creation of a culture of loudness. It focuses on the question to what extent the shifting auditory perceptions of the late Weimar Republic reflected the situation of a society that was gradually taken over by political extremism. It concludes that from th他日关税重重 发表于 2025-3-26 14:34:45
http://reply.papertrans.cn/43/4250/424902/424902_29.pngGerminate 发表于 2025-3-26 18:57:55
The Second Noisy World War,zi regime in times of war, the ability to tune your ears to the wartime soundscape became a matter of life and death. The chapter also presents how the wartime soundscape of Germany became a reliable testimony to the gradual disintegration of the German society during the last stages of the Second W