Pageant
发表于 2025-3-25 04:36:31
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不出名
发表于 2025-3-25 10:57:01
The North and Europe in , and ,inental) Europe. This strategy pays off, because Europe proves more receptive to their ideas and their art than the national centre. Hence, while the South of England is presented in them as a colonial ‘other’, Europe is seen as a ‘friendly other’.
EXPEL
发表于 2025-3-25 12:30:33
The (Global) Northern Working Class: Engels Revisitedunique in the post-industrial landscape of global neoliberal capitalism, where a transnational working class faces precarious employment or long-term unemployment, lack of secure housing, restricted access to decent educational opportunities and stigmatisation within the public sphere.
ABOUT
发表于 2025-3-25 18:54:28
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lanugo
发表于 2025-3-25 23:53:19
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我要沮丧
发表于 2025-3-26 03:29:06
Mediating Northern Identities through Visual Heritage: An Unfinished Journeylm archives within the North of England have brought greater visibility of changing patterns of ethnic diversity into their respective collections of moving image. Attention focuses on different initiatives that enable more inclusive understanding of northern experiences and challenge narrowly conce
Intrepid
发表于 2025-3-26 08:20:15
To the Cheshire Station: Alan Garner and John Mackenzie’s ,was shot on location in 1977 around Crewe station, Mow Cop and Barthomley church. In ., three narrative lines are brought together in a narrative of transmission and conjunction, where three historical periods intersect through the sensibilities of three young men. Cheshire is presented as a space o
beta-carotene
发表于 2025-3-26 11:26:42
Screening South Yorkshire: , and ,ith what seem to be the social-realist or even documentary techniques of long shots of rural and urban landscapes alternating with close-ups, filmed using natural lighting and black-and-white footage respectively. Yet the intertwining of thematic and regional concerns in these films is artfully cons
nauseate
发表于 2025-3-26 15:38:45
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吸气
发表于 2025-3-26 20:15:08
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